The 2020 publication by HiPSA, Volume III-2 Sol T Plaatje: a life in letters, edited by Brian Willan and Sabata-mpho Mokae, won the 2021 S.A. Literary Award in the Creative Non-Fiction Category. Both editors paid a special tribute to HiPSA, Sabata-mpho Mokae saying, ‘Thank you for your decision to publish the book and your support throughout the years when we were working on it.’ Brian Willan commented: ‘I see the award also as recognition of all the other books you have published over the years.’
For more information see the SALA website https://sala.org.za/
Dit is met trots dat ons kan aankondig dat die 2020 publikasie van HiPSA, Volume III-2 Sol T Plaatje: a life in letters, rederigeer deur Brian Willan and Sabata-mpho Mokae, die 2021 SALA-prys, in die kategorie Kreatiewe Nie-Fiksie, gewen het. Albei die redakteurs het hulde gebring aan HiPSA, met Sabata-mpho Mokae wat gesê het: “Thank you for your decision to publish the book and your support throughout the years when we were working on it.” Brian Willan het opgemerk: “I see the award also as recognition of all the other books you have published over the years.”
- South African Historical Journal
- The South African Philatelist
- Sol Plaatje University Website (https://www.spu.ac.za/index.php/spu-academics-bag-sala-award/)
BOOK REVIEW by PETER LIMB
SOUTH AFRICAN HISTORICAL JOURNAL
Sol T. Plaatje: A Life in Letters. Edited by BRIAN WILLAN and SABATA-MPHO MOKAE. Cape Town: Historical Publications Southern Africa, 2020. xxi + 359 pp. ISBN 978 0 9947207 6 4.
In this digital age it can be imagined that the good primary sources are already online, but this is not always the case. All the more important then that widely scattered, important sources continue to be published. This book presents a rich and expertly edited selection encompassing most of the extant correspondence of Solomon Tshe- kisho Plaatje. Best known as inaugural secretary-general of the South African Native National Congress (SANNC) – later renamed the African National Congress (ANC) – and author of Native Life in South Africa1 and of the ﬁrst African novel in English, Mhudi,2 he was in addition editor of inﬂuential newspapers and a leading campaigner against the Land Act and for his Setswana culture and Barolong people. Less known is that he was a prodigious, eloquent and eﬀective letter writer. That his very dispersed correspondence has been traced, analysed and reproduced with accurate notes is primarily the result of ﬁve decades of painstaking research by Brian Willan, Plaatje’s leading biographer; that hitherto untranslated letters in Sets- wana are now included alongside their skilful rendering into English is the work of talented novelist Sabata-mpho Mokae. The two scholars also recently co-edited Sol Plaatje’s Mhudi.3
Included are 260 letters, a ﬁfth in Setswana, written by Plaatje from 1896 to his death in 1932, drawn from a wide range of repositories, comprising the bulk of the 300 surviving of 1000 he penned. Many others have disappeared – not a single letter to his wife Elizabeth survives, only a bare handful as Congress secretary are reproduced. The greatest number of those letters surviving were those sent to white sympathisers with resources more likely to see them preserved, such as Betty Molteno, Georgina Solomon, Jane Cobden Unwin and Sophie Colenso. The largest individual fond of letters is the Silas T. Molema and Solomon T. Plaatje Papers, lodged at the Historical Papers Research Archive at the University of the Witwaters- rand (Wits). Other notable archives plumbed include those at De Beers, the National Archives of South Africa repositories, the University of Cape Town, the Africana Library in Kimberley and the R. R. Moton Papers, Tuskegee University Library and E. B. Du Bois Papers, University of Massachusetts Library, Amherst.
The excellent, if rather brief, introduction summarises Plaatje’s life, publications, literary and linguistic work, as well as the growing scholarship about him, together with his legacy. The signiﬁcance and content of the letters is detailed, relationships with correspondents noted, as is his style and what the letters reveal about his phil- osophy, politics, identities and loyalties, as well as his private life and challenges. Side by side with insights into ANC political history, they show the ‘distinctive expression of an African voice’ allowing ‘a far more nuanced and personal understanding’ (xix) of his life. The editors explain their criteria of selection: some less consequential letters were excluded, as were most he wrote to the press (they are more accessible elsewhere), enabling greater focus on personal correspondence. Perceptive comparison of Plaatje’s style allows the editors to determine his authorship of letters signed by others.
The letters are divided into eight chronological parts, corresponding to major periods of Plaatje’s life, each with a succinct introduction providing context. Part 1 (1896–1902) begins – ironically, given later events – with an unsuccessful begging letter to De Beers for money for a YMCA building; others detail Plaatje’s career as an interpreter and eﬀorts to secure salary increases. In Part 2 (1903–1909) we learn of struggles to keep his newspaper Koranta ea Becoana going in the face of tar- diness of advertisers (including De Beers) to pay and show his great eﬀorts to raise funds for and popularise the paper. Part 3 (1910–1914) shows chronic ﬁnancial pro- blems continuing with his new papers Tsala ea Becoana and Tsala ea Batho and, in letters to Silas Molema, we hear how funds Plaatje raised from writing for white newspapers helped him meet his ﬁnancial obligations. Others demonstrate his support of land rights for the Barolong of Thaba ’Nchu and his campaign against the Land Act. A degree of naivety peeps out from a 1910 letter to Schreiner where he expresses ‘warm admiration’ (44) of J. B. M. Hertzog; but by 1912 he conﬁdes to Molema that Hertzog has ‘no intention whatsoever to do anything good for a black person’ (66). Much is uncovered about Tswana personalities, and forthright letters challenge simplistic narratives too common today that gloss over diﬀerence between members of Congress. Revealingly, in a letter to De Beers complaining against racism on their trams he states he is a ‘supporter’ of the company (71). His frequent letters appealing to its philanthropy are generally suc- cessful, if at times bordering on the obsequious, but despite perfect politeness his more political requests, such as for access to compounds to post political ﬂyers, are refused.
Part 4 (1914–1917) switches to England and is rich in correspondence with sympathisers, tussles with John Harris of the Anti-Slavery and Aborigines’ Protection Society (APS), who opposed publication of Native Life, and details of internal tensions among the Congress delegation. A 1914 letter shows Plaatje’s outrage at conditions pro- posed by churches and the APS for a loan that would have silenced their protests. The letters reveal little new about his family, but we glimpse his feelings in a postcard to daughter Violet. A letter to Kgosi Lekoko is one of several disclosing he could not aﬀord food or rent and worried about eviction. Particularly insightful is a passage lamenting that other Congress delegation members opposed publication of Native Life: ‘great men’ like John Dube and Walter Rubusana did not ‘want the ﬁrst book that tells the truth about Africa to be published by a Mochuana while they were the ﬁrst to see the light’ (98, 108). Letters also show that Plaatje himself was not immune from the ethnic politics typical of the day.
Part 5 (1917–1919) ﬁnds Plaatje back in South Africa, explaining to Jane Cobden Unwin why he declined an oﬀer of the SANNC presidency. Letters of 1918 testify to the harrowing impact of the inﬂuenza pandemic that struck down members of his family. Details emerge of his eﬀorts to solicit from De Beers an old tram shed for his new love, the religio-social Brotherhood, a gambit linked to his anti-radicalism. ‘There is a belief among some of the native population here that I am in the pay of De Beers – employed to keep them quiet’ (134), he conﬁdes to the company, which urged him, ‘For God’s sake keep [Africans] oﬀ the labour agitators’ (142). He continued to boast success combating radicals, proudly informing the Kimberley Chamber of Commerce this was due to the De Beers’ ‘timely generosity’ but slipping in an appeal for higher wages for labourers given rising costs of living; his plaintive entreaty having no eﬀect. His enthusiastic embrace of this early class ‘cold war’ was noted by revisionist his- torians from the 1970s, yet lately such critiques of Plaatje have fallen silent. That his atti- tudes to black workers were complex, marked also by sympathy, are evident in letters showing problems he faced as a labour agent: labourers were ordered home by police just because their agent, Plaatje, was Black.
Part 6 (1919–1923) covers a further period overseas. Letters include complaints of the racist ejection of Congress delegates from a ship in Britain at the behest of white soldiers, eﬀorts to bypass the US consul’s refusal, on Pretoria’s advice, to issue him a visa, and success in receiving a Royal Literary Fund grant to write Mhudi. His letters from Canada to Betty Molteno and W. E. B. Du Bois speak of success lecturing and selling his books. To Molema he describes the novel he has completed and discloses he has declined a Chamber of Mines oﬀer to edit a new newspaper (Umteteli wa Bantu) as he would be disenfranchised in the Transvaal, as Black Africans were denied the vote there, unlike in the Cape, where they had a limited franchise. A letter to Negro World indicates his sensi- tivity to criticism, seizing on a comment by a reviewer on the price of his The Mote and the Beam4 to claim too many African Americans treated his mission seeking solidarity as ‘a business proposition’ (204). If stereotyped as pro-empire, he was also impelled to criticise. In a letter from Detroit to a journalist, asking him to read his speech in absentia at the Pan African Congress, Plaatje argued that the ‘secret of the success of the British policy in South Africa has been the suppression of the truth. […] the daily press was asked to say nothing of our grievances’; uttering ‘not a word about […] indiscriminate shooting […] or the mowing down of scores of unarmed workers’ (206).
Part 7 (1923 to 1928) holds letters that indicate an increasingly isolated man. Plaatje sees danger in Hertzog’s Native Bills, telling Robert Moton of Tuskegee Uni- versity that they sought ‘to destroy the soul of the native people’ but confessed to Sophie Colenso that, whilst joining the Joint Councils, ‘what can they do’ (261). Letters in the ﬁnal Part 8 (1928–1932) show his further retreat from political life, marked by disappointment with Herzog’s 1929 election victory. He increasingly focuses on literature and linguistics, seen in letters to the Bantu Studies Research Committee at Wits, on Shakespeare, where he had little publishing satisfaction with his translations, and ﬁnally came the joy of the much overdue appearance of Mhudi. He lobbied against white ‘experts’’ eﬀorts to change the orthography of Sets- wana – ‘singled out as the play thing of University Professors’ (293) – and supported a new Setswana dictionary, the only circulating work full of mistranslations and omis- sions; securing Tshekedi Khama’s support for the existing orthography. Seeking yet again money from De Beers, he claimed: ‘we have had our hands full combating and trying to keep the Communist movement outside Kimberley’ (277), a hyperbolic claim as radical inﬂuence there was marginal. Letters also indicate his increasing work for the Independent Order of True Templars (IOTT).
The volume rounds oﬀ with useful short biographies of major correspondents, lists of sources and archives consulted, plus a guide to further reading. There are 12 illus- trations, and facsimiles of select letters. The publisher provides a quality scholarly appar- atus with a thorough, accurate index (though IOTT is missed). Copious notes assist readers, tracking down many lesser-known ﬁgures that will help scholars ﬁll gaps, though ‘Maronako’ remains obscure. Overall, the book is a wonderful reference and primary source.
This astute selection of letters will be new to those outside the small if growing circle of Plaatje scholars. Given their scattering across many repositories and countries, it is a great boon to research to have them collated, annotated and translated (some Setswana letters are online at the Wits Historical Papers, but without translation). If there are few sensational revelations for the specialist (Willan has already used most, and published 30 in his Sol Plaatje, Selected Writings,5 which is not noted), then they may prompt new research directions. New depth has been added to what we know of Plaatje’s life and character, showing for example how he suﬀered racist slurs, how he used cattle both for ploughing and to raise funds, how in his letters he used argument, irony and protes- tations of loyalty to pursue his aims.
If any criticism might be levelled, it is a need for rather more rigorous criticism of Plaatje, in keeping with trends in studies of nationalisms. Just as Mandela’s legacy faces closer scrutiny, so too do Plaatje’s limitations need addressing. Historiographical advances in Plaatje Studies are well noted in the introduction and each section has an excellent overview, yet often with little critical comment on, say, the eﬀectiveness of his tactics or the wisdom of long years overseas. There is engagement with the Plaatje canon, but matters are sometimes seen as cut and dried, whereas new debates surely will arise. Despite his undoubted historical and literary role, talent, humanism and tol- erance, Plaatje had blind spots and contradictions, such as between his ﬁerce critique of racism yet unwillingness to support eﬀective change to overcome it. He may have been, as the authors claim, the most eloquent and consistent of his generation of liberal black African leaders, generating considerable impact by his writings, but his letters show a man plagued by limited resources, forced to beg again and again from white philan- thropy, scared of militant action from below, if not without sympathy for the underdog. If edited source series are not always the most appropriate genre in which to engage in reappraisal, it is a testament to this book’s quality and comprehensiveness that it is an ideal foundation to underpin such revisionism.
Sol T. Plaatje: A Life in Letters is a valuable, accessible source for historians, who can invest in their trade by subscribing to this book series by Historical Publications Southern Africa (from 1918 the Van Riebeeck Society, once nearly renamed the Van Riebeeck-Plaatje Society!). Some epistolary lacunae may never be ﬁlled – correspon- dence with linguist Daniel Jones is lost, possible letters to Dube would have burnt in the Ohlange ﬁre. Yet one hopes scholars track down further letters, though these are unlikely to be substantial. A future volume of Plaatje’s collected, rather than selected, letters, one that includes his corpus of letters to the press, beckons, but in the mean- time this book is a mighty contribution to historiography that could be used to build, or criticise, a now ﬁrmly established African canon.
- T. Plaatje, Native Life in South Africa (London: P. S. King and Son, 1916).
- T. Plaatje, Mhudi: An Epic of South African Native Life a Hundred Years Ago (Love- dale: Lovedale Press, 1930).
- Mokae and B. Willan, eds, Sol Plaatje’s Mhudi: History, Criticism, Celebration (Johannesburg: Jacana, 2020).
- T. Plaatje, The Mote and the Beam: An Epic on Sex-Relationship ‘Twixt White and Black in British South Africa (New York: Young’s Book Exchange, 1921).
- Willan, ed., Sol Plaatje: Selected Writings (Johannesburg: Witwatersrand University Press, 1996)
Michigan State University and Gender and Africa Studies Centre,
University of the Free State
© 2021 Peter Limb https://doi.org/10.1080/02582473.2021.1906309
SOL PLAATJE UNIVERSITY WEBSITE
On Sunday, 7 November 2021, Sol Plaatje University (SPU) academics Professor Brian Willan and Creative Writing lecturer Sabata Mpho-Mokae, won the South African Literary Award (SALA) for the book compiled and co-edited titled Sol T. Plaatje: A life in letters. The book won in the Creative Non-Fiction Literary Award Category at a virtual awards ceremony hosted by SALA.
SALA pays tribute to South African writers who have distinguished themselves as ground-breaking producers and creators of literature. It celebrates literary excellence in depicting and sharing South Africa’s histories, value systems, philosophies, and art as inscribed and preserved in all the official languages of South Africa.
Published by the Historical Publications Southern Africa (HiPSA) and launched in November 2020, Sol T. Plaatje: A life in letters is a collection of over 260 letters written by the late Sol Plaatje to members of his family, traditional leaders, his comrades in the South African Native National Congress, De Beers, government officials, community leaders, and well-known political figures such as Marcus Garvey.
The letters record Plaatje’s career as a court interpreter, his involvement in the Siege of Mafeking, the beginning of his journalism career, the formation of his bilingual (Setswana-English) newspaper, his campaign against the Natives Land Act of 1913 in South Africa, Britain, Scotland, Canada, and the United States of America. The letters also shed light on how he conceived and struggled to publish two famous English books titled Native Life in South Africa and Mhudi.
These letters were sourced from archives found all over the world and include South Africa, the United Kingdom, and the United States, to name but a few. Plaatje wrote over 50 letters in his home language Setswana. These were primarily personal and have been translated into English. Readers can find both the Setswana and the translated versions in the book, categorized by years and context provided for each letter.
Sol T. Plaatje: A life in letters is the second book co-edited by Mokae and Professor Willan. The first book, Sol Plaatje Mhudi: History, Criticism, Celebration, won the Humanities and Social Sciences Award earlier this year.
“Professor Willan and I are grateful for the support and the space SPU is giving us to pursue our collaborative research writing on Sol Plaatje. We believe that Plaatje was an important figure in South African politics, literature and the development of Setswana as a written language. For a person who died at the age of 55, Plaatje achieved what would take many of us several lifetimes to achieve,” said Mokae.
The Creative Writing lecturer further thanked staff at various international archives who assisted with gathering the letters published in the book. He states that their only regret was not finding letters between Plaatje and his wife, Elizabeth. They, however, remain hopeful that they are preserved and will one day be found and made available to the public to further assist in understanding Plaatje better.
“These letters will help us pay homage to the woman who kept the home fires burning while Plaatje was traveling, writing books and making the world aware of the political situation in South Africa,” said Mokae.
The academics are now working on an edited volume on the Mafeking Diary of Sol Plaatje, which will be published in the second half of 2023, during the 50th anniversary of the publication of The Mafeking Diary of Sol T. Plaatje.
Historia, 66 , 1 May 2021 pp 157-166
The public and private life of Sol Plaatje
Brian Willan and Sabata-mpo Mokae, eds, Sol T. Plaatlje: A Life in Letters
Historical Publications South Africa, Cape Town, 2020
xxv + 359 pp
ISBN 978-0-9947207-6-4 (hardcover), 978-1-990981-46-3 (eBook) R390.00
There has been an upswing in attention to South African biography in the past few decades, with a welcome trend towards remaking or revising the canon of important figures from the South African past. This has included edited collections of the works of prominent individuals, and notable among these have been early-twentieth century black African politicians and writers. Historical Publications Southern Africa (renamed from its previous moniker, the Van Riebeeck Society) has published four edited collections of the writings of such individuals since 2008, including Isaac Williams Wauchope, Richard Victor Solope Thema, and A.B. Xuma. A Life in Letters, a collection of Solomon T. Plaatje’s correspondence, is the fourth such volume in just over a decade. There are 260 letters, written from 1896 to 1932, included in the book. Most are in English, but some are in Setswana, Dutch/Afrikaans, and a few are in German. Although a number of the letters are from the collections of the Cullen Library at the University of the Witwatersrand, the reviewer counted twenty-seven different collections across three continents. The book is thus an excellent resource not only for historians, but also for students and the general public who now have access to a wide range of Plaatje’s thoughts, opinions, and emotions that are evident in his letters.
There is something immediate and revealing about reading these primary sources: the directness of Plaatje in his own words rather than through the mediating assessments of biographers – notably the co-editor of this volume, Brian Willan in his Sol Plaatje: A Biography (Johannesburg, 1984) and Sol Plaatje: A Life of Solomon Thekisho Plaatje, 1876-1932 (Johannesburg, 2018). Reading the correspondence conveys the range of Plaatje’s talents, but also the complex role of letters writing in building and maintaining the social worlds of the Batswana in the face of increasing racist policies and the actions of white-minority rule in the Cape Colony, Transvaal, and later, the Union of South Africa in the twentieth century. As editors, Willan and Mokae provide a 12-page introduction, as well as short contextual openings to each of the eight chronological parts around which the book is organised. They provide concise context on the “public amnesia” toward Plaatje’ life and work following his death in 1932, and the revival of interest in Plaatje since the 1980s and 1990s, whwn his “public memory [was] … reclaimed” (p xi). Much of this revival arose from the handwritten dairy during the South African (Anglo-Boer) War, which focused primarily on the siege of Mafeking, in John L. Comaroff’s edited The Boer War Diary of Sol T. Plaatje (1973); a new edition of Plaatje’s 1930 novel Mhudi (Johannesburg, 1982).
The letters in this edited volume help to map Plaatje’s social networks: they include Batswana, and more particularly, Barolong individuals, including the prominent Silas and Modiri Molema; female advocates for Plaatje’s cause in England, including Betty Molteno and Sophie Colenso; and transatlantic connections such as Robert Moton, the African American educator and principal of the Tuskegee Institute in Alabama, whom Plaatje visited in 1922. What is particularly valuable about these letters collected together in one volume for the first time, is their scope and range and the ways in which Plaatje combines public and private concerns. “I live in perpetual sadness and … constant troubles” (p 78), Plaatje confided to Silas Molema at a low point in February 1914. In a tender exchange communicated to his seven-year-old daughter, Violet, in 1914, Plaatje refers playfully to “Doodles”, her nickname, thanking her for her “short illustrated letter” (p 92). This range of correspondence adds complexity to our picture of Plaatje beyond his public persona or popular memory of his life and legacy.
A skilled letter writer who drew on a range of local idioms and literary references, Plaatje conveys the passion, frustration and hopefulness of his political, literary, and educational causes. Less able to express his agency and views as an interpreter during the South African War, he soon found his voice through the editorship of the Setswana newspaper Koranta ea Becoana (1901-1904). He would also later edit Tsala ea Becoana (1910 1915). Plaatje noted in a letter (although signed as Silas Molema) that Koranta ea Becoana was “the only channel through which the truth can be disseminated to the native population of Bechuanaland” (p18). Yet his letters reveal the many registers employed by Plaatje, depending on his audience,
ranging from deference to candour, in ways not always apparent in a public newspaper. His letters to government officials, prominent Cape liberals, and to Barolong allies – Silas Molema in particular – show a range of carefully chosen words. In a telegram in March 1913 to Thomas Zini, president of the Cape Peninsula Native Association and opponent of the Native’s Land Bill (it became an act in June), Plaatje wrote: “… please urge our people not [to] use language calculated to inflame” (p 68).
Plaatje’s agency, dignity and ambition is perhaps clearest in his Setwana letters. In complimenting Silas Molema for his publications on Tswana traditions, language and history, Plaatje expressed the hope that the Barolong would “appreciate these kinds of works because they show that something will remain even when people are no longer there”. They would, in his view, be “books that are read by the whole world just like white people’s books while other nations cannot [yet] do this” (pp 194-195). His vision of black South Africans within the world, rather than confined to localised place, was most clearly seen in his transatlantic travels to Britain and North America, which contrasted with his more racialised experiences in South Africa. Writing to Betty Molteno from Canada in 1920, Plaatje reflected on how he enjoyed conviviality with the “motley crew” aboard the ship to Quebec and that Canadian passengers especially “came and went precisely as if there was no such thing as colour” (p 197).
Through his contact with prominent African Americans including W.E.B. Du Bois and John Edward Bruce in the United States, Plaatje saw the full global scope of race discrimination. He also found a readership of his work and an audience willing to hear about the plight of black South Africans. In a letter written in 1921 to Walter White, then assistant national secretary of the US National Association for the Advancement of Colored People, Plaatje noted the uneven spread of news globally about violence against black bodies. As he put it: “American race-riots are receiving all the publicity they deserve… [they are] flashed throughout the world but not a word about … the mowing down of scores of unarmed workers by a cavalcade of police [in South Africa]” (p 207). Many of Plaatje’s letters have resonance to the present, while also providing insight into the lived experiences of structural racism during his times.
One of the final letters in the volume is addressed to the general manager of the De Beers Mining Company on 15 March 1932. Plaatje requested financial assistance for school premises in the hope of furthering his efforts to improve African education, particularly by printing Setwana schoolbooks. Plaatje described the “scarcity of Sechuana readers” as “not a local but national want’ (p 134). His final years were devoted to furthering such causes, and to finding publishers for manuscripts including Plaatje’s translations of Shakespearean plays. Sadly, Plaatje’s premature death in 1932 meant that many of these projects are incomplete or remained in manuscript form without a publisher. Reading the letters, one feels pathos for what might have been, and the extent of Plaatje’s contribution.
Plaatje was a man of his time, caught between a world of empire and an increasingly racially-exclusionary South Africa. His letters provide a glimpse into his inner thoughts beyond what was published, yet there are still gaps in the volume. Occasional mention is made of Plaatje’s wife Elizabeth (Lillith) but these do not provide a full picture of domestic life, nor are there any letters between Plaatje and his wife in the volume, if such letters exist. Letters have their limitations, but of course private conversations he would have had in his lifetime have not survived as a written record. A more rounded view of Plaatje and his times is best achieved by reading his biographies, as well as a wider range of his oeuvre. Besides Mhudi and Native Life in South Africa, Plaatje also wrote several other works, including pamphlets. A selection of these can be found in Brian Willan’s other edited collection, Sol Plaatje: Selected Writings (Johannesburg, 1997; republished in 2016). Willan and Mokae’s edited collection of Plaatje’s letters is nevertheless essential reading for those interested in his life and his considerable contribution.
BOOK REVIEW – A WORTHY READ: ‘A LIFE IN LETTERS’
(The South African Philatelist, Aug 2021)
Brian Willan and Sabata-mpho Mokae,
editors, Sol T. Plaatje: A Life in Letters: The public and private life of Sol Plaatje
Historical Publications South Africa, Cape Town, 2020
xxv + 359 pp ISBN 978-0-9947207-6-4 (hardcover),
978-1-990981-46-3 (eBook) R390.00
There has been an important upswing in attention with a welcome trend towards remaking or revising the canon of important figures from the South African past. This has included edited collections of the works of prominent individuals, and notable among these have been early-twentieth century black African politicians and writers. Historical Publications Southern Africa (renamed from its previous moniker, the Van Riebeeck Society) has published four edited collections of the writings of such individuals since 2008, including Isaac Williams Wauchope, Richard Victor Solope Thema, and A.B. Xuma. ‘A LIFE IN LETTERS’ a collection of Solomon T. Plaatje’s correspondence, the 4th such volume in over a decade.
There are 260 letters, written from 1896 to 1932, included in the book. Most are in English, but some are in Setswana, Dutch/Afrikaans, and a few are in German. Although a number of the letters are from the collections of the Cullen Library at the University of the Witwatersrand, the reviewer counted twenty-seven different collections across three continents. The book is an excellent resource not only for historians, but also for students and the general public who now have access to a wide range of Plaatje’s thoughts, opinions, and emotions that are evident in his letters. The co-editor of this volume, Brian Willan in his Sol Plaatje: 1876-1932 (Johannesburg, 1984) the correspondence conveys the range of Plaatje’s talents – building and maintaining the social worlds of the Batswana in the face of increasing racist policies and the actions of white-minority rule in the Cape Colony Transvaal, and later, the Union of South Africa in the twentieth century.